Wulf's Webden

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8 December 2024
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CCB @ Thorpe Acre – December 2024

Last night’s Charnwood Concert Band gig at All Saints Church Thorpe Acre with Dishley was a resounding success. Despite a couple of days of pretty grotty weather, we probably had the largest audience we’ve had there since I started playing with the band and the soundings I got from people I knew suggested it was much appreciated.

I think I’ve just got four gigs left before Christmas now so it is winding down a bit, although three of them are next weekend (Friday, Saturday and Sunday afternoon) with another evening rehearsal on the Sunday as well. I guess I’d better enjoy the pace while I’m still (just about) young enough to keep up with it!

7 December 2024
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English As She Is Spoke

This afternoon I’ve watched a fascinating video about a rather unhelpful English phrase book from the 19th century called English As She Is Spoke. The problem was that it was translated from a French phrase book without acknowledgement and by someone whose first language was Portuguese. It isn’t even clear how much French they had but certainly not enough linguistic nouse to know that idioms from one language can rarely be translated successfully on a word by word basis!

Here’s the full video:

6 December 2024
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Cheese like lava

I’m glad I’m playing electric bass, not tuba, in tomorrow’s Charnwood Concert Band outing. Jane was out so I decided to pop down to Lidl to pick up a few supplies. Those were mainly freebies on the Lidl app but also included a cheese-topped pizza for my dinner. Unfortunately I was rather hungry by the time it was ready and didn’t exercise sufficient caution, which resulted in a small burn on my top lip!

Hopefully that will heal up quickly. I suppose at least it put me off trying to eat the whole thing, so it is probably (safely cold) cheese pizza for breakfast tomorrow!

5 December 2024
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Visor in

This week I finally got the car sun visor sorted out. In the end I did have to buy a second-hand one from eBay but at least the fiddling around I was doing last week meant that fitting it went with practised ease! It should last a good while yet but I’ll be somewhat careful handling it over the next few weeks.

4 December 2024
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Singing Tonight

This evening Jane and I make our debut with the Loughborough University Choir – concert starts at 7pm in the Cope Auditorium on Epinal Way and tickets (£7 with concessions) can be bought online or cash on the door.

Since we’ve got friends popping by later this afternoon, I’d better get on with my final bit of practise at home!

3 December 2024
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Speaking Part

It turns out that I’ve now got a (small) speaking part at Saturday’s Charnwood Concert Band gig (Thorpe Acre Church, 7pm, pay what you want). As well as playing, I’ve got a short countdown to do during part of the David Bowie medley we are playing. Fortunately the bassline is pretty simple although I’ll probably do a little bit of extra practise just to make sure.

2 December 2024
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Mary and Joseph

Today’s music activities included firing up the Reaper DAW and knocking together a quick recording for the toddlers’ group at All Saints, Thorpe Acre with Dishley (Mary and Joseph… the very first Christmas). It’s a while since I’ve done any recordings of that ilk, so it was fun to brush up my skills.

One thing I don’t have with Reaper that was a boon on Logic Pro is an artificial drummer or even any built in library of drum sounds. My old MacBook would probably hold up for a recording session but I’m trying to build my Reaper skills. Today’s solution was to create some sounds on guitar, mess with things like EQ and pitch, and create a facsimile of kick and snare drum sounds. It ended up working pretty well, all told!

1 December 2024
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Slowly Does It

We had one of our best roast lunches for a while today. What was the secret? Probably a good dose of time. We had friends coming round to join us and, in the planning stage, we thought they would be round about 1pm but this morning we found out it would be more like 1:30pm. I’d already put the pork joint in for a low, slow cook before we set off for church and everything else was prepped. What the extra time meant was not having to rush and having plenty of time to cook things well.

How did we avoid overcooking things? The main issue was the pork joint. I’d already cut the fat off the top and seasoned it last night. When I put it in the over, it was in a covered tin, on a “trivet” of onions and tomatoes and with a good amount of cheap sherry and water. At 120°C, the meat itself was mainly being steamed but could have been in for a lot longer before any risk of burning. When we got home it was already cooked but the high liquid volume meant it wasn’t in danger of drying out. I took it out of the oven and left it covered in the hot liquid to hold the temperature in a food safe zone while the crackling layer went back in on a tray at a higher temperature, alongside roast potatoes and, later, carrots and parsnips.

The joint itself did go back for a bit, once I’d drained the liquid and vegetables to make gravy, but only for about 15 minutes to brown a bit on the top before a further 15 minutes or so for resting under a cover. The meat was succulent, the crackling was crispy, the roast veg were just right and even the sprouts (prepared with a cross slit in the bottom of each and microwaved) held up their end.

So, for a good roast, slowly does it.

30 November 2024
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Christmas Gig #1

That’s the first of the Christmas gigs out of the way – the lights switch on at East Leake. Compared to other years, it was neither as cold (mid-teens rather than near freezing) nor as wet (clear skies and no rain falling) so very easy conditions. The pieces also went well and I’m looking forward to the next Charnwood Concert Band at All Saints Church, Thorpe Acre, next Saturday evening, which will probably be a similar set but with one or two other pieces we dropped for the outside setting.

29 November 2024
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Clouds or Deserts?

At the Hathern Baptist Church prayer meeting Jane and I went to last night, it opened with a short reading from Psalm 68 (about vv. 4-10). Most people were reading from the pew Bible, which is the NIV translation but I had my NASB edition and I spotted an odd translation discrepancy between the two. What was read out from v.4 was, “Sing to God, sing in praise of his name, extol him who rides on the clouds…”. By contrast, the NASB says, “Sing to God, sing praises to His name; exalt Him who rides through the deserts…”. What is up with that?

As far as I can piece together, English translations typically go for one of those two options and they appear fairly evenly split, allowing for the fact that I’ve neither carefully counted nor made any allowance for the fact that not all translations should be weighted evenly. Commentaries on ‘cloud’ translations tend to make something of the idea that Israel’s God is being declared as greater than Ba’al, who was sometimes characterised as a storm god. However, aware of the uncertainty, they often include a note about the desert alternative. The NIV, for example, gives “prepare the way for him who rides through the deserts” as an alternative.

It was interesting to check on a range of commentaries via the BibleHub site. Most of those lean towards the desert option. For example, the comprehensive Barnes notes on the Bible, says:

The word used here – ערבה ‛ărābâh – never means either heaven, or the clouds. It properly denotes an arid tract, a sterile region, a desert; and then, a plain. It is rendered desert in Isaiah 35:1Isaiah 35:6Isaiah 40:3Isaiah 41:19Isaiah 51:3Jeremiah 2:6Jeremiah 17:6Jeremiah 50:12Ezekiel 47:8; and should have been so rendered here.

I’m nowhere near competent enough in Hebrew to cast a deciding vote but, personally, I’m inclined much more towards the desert angle. Even apart from the question of whether heaven or clouds could be an appropriate translation, it seems to make more sense that the psalmist would have in mind a reference to the story of Israel’s rescue from Egypt through the Sinai wilderness than feel the need to ape a reference to a god followed by other nations. I note that the King James Version picked ‘heavens’ and so I wonder if this is one of those places where later translators have been influenced by the poetry of the translations they knew well over and above the best choice for the text? The KJV team did an amazing job but would probably be the first to admit that their resources were meagre compared to what their modern successors have available.